DERIVATIVE AND NOT WITHOUT DYSFUNCTION

ACT 0 EPHEMERA NARRATIVE FIELDWORK EROS, ALWAYS ALREADY ACT 1 EPISODE 1 SCENE 1 SCENE 2 SCENE 3 EPISODE 2 SCENE 4 SCENE 5 SCENE 6 EPISODE 3 SCENE 7 SCENE 8 SCENE 9 ACT 2 EPISODE 4 SCENE 10 SCENE 11 SCENE 12 EPISODE 5 SCENE 13 SCENE 14 SCENE 15 EPISODE 6 SCENE 16 SCENE 17 SCENE 18 EPISODE 7 SCENE 19 SCENE 20 SCENE 21 ACT 3 EPISODE 8 SCENE 22 SCENE 23 SCENE 24 EPISODE 9 SCENE 25 SCENE 26 SCENE 27 EPISODE 10 SCENE 28 SCENE 29 SCENE 30 EPISODE 11 SCENE 31 SCENE 32 SCENE 33
The final episode of act 1 returns to the architecture of the art world—not as neutral backdrop but as operating system. Museums, foundations, biennials—they don’t just exhibit images, they produce them. Images arrive layered: palimpsests of prior shows, brands, captions, walls. Representation is no longer origin—it’s a recursion. Here, dysfunction becomes method. The image fails to cohere. The frame wobbles. The work refuses to align with institutional legibility. It glitches against clarity. This is not breakdown—it’s strategy. A refusal to play seamlessly within the spatial ideologies of contemporary cultural display.
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